





Mackie ProFX16v3 16-Channel USB Analog Mixer
- 16-channel analog USB mixer
- 11 Onyx mic preamps
- 24-bit/192 kHz USB audio
- 24 GigFX effects presets
- Compression on channels 1-8
Product Info
| Brand | MACKIE |
|---|---|
| Model / SKU | PROFX16V3 |
| UPC | 663961057928 |
| Availability | In stock and ready to quote |
The Mackie ProFX16v3 is a 16-channel professional analog mixer with a built-in USB recording interface and onboard effects. It brings microphones, instruments, stereo playback sources, monitoring, and computer audio together in one hands-on console. It is suited to small live-sound systems, rehearsal spaces, home studios, streaming rigs, and production setups that need more source capacity than a compact mixer provides.
Its eleven Onyx microphone preamps provide up to 60 dB of gain for dynamic, condenser, and other compatible microphone sources. Channels 1 and 2 add switchable Hi-Z operation for direct connection of guitars, basses, and similar instruments without a separate DI box. Built-in single-knob compression on channels 1 through 8 helps manage changing vocal, speech, and instrument levels before they reach the mix.
The ProFX16v3 uses a practical analog workflow with gain controls, channel EQ, routing assignments, mute switches, PFL solo, and long-throw faders. Its 3-band EQ includes a sweepable mid-frequency control on channels other than the 1/8-inch stereo input channel. A 100 Hz low-cut filter and EQ bypass capability provide useful tools for shaping sources and simplifying setup.
For computer recording and playback, the integrated USB 2.0 interface supports 24-bit conversion at sample rates up to 192 kHz. The 2x4 USB design records a stereo signal to a computer while returning two independent stereo playback streams to the mixer. A dedicated blend control supports direct, latency-free monitoring alongside DAW playback during overdubs.
The onboard GigFX engine provides 24 selectable effects presets, including room, hall, plate, chorus, delay, flange, auto-wah, and other processing. Three aux outputs support separate monitor mixes, while four subgroup outputs expand routing for larger setups and external devices. Main outputs, control-room outputs, headphones, inserts, USB connectivity, and an external FX footswitch connection make the mixer adaptable as a central control point for a growing audio system.
Key Features
- 16-Channel Mixing: Combines microphone, instrument, stereo, and computer sources in one console.
- Eleven Onyx Preamps: Provides up to 60 dB of microphone gain.
- 2x4 USB Interface: Supports stereo recording and flexible dual-stereo computer playback.
- GigFX Effects Engine: Adds 24 selectable onboard effects without external processing.
- Eight Compressor Channels: Helps control dynamic sources on channels 1 through 8.
- Four Subgroup Outputs: Expands routing options for grouped channels and external equipment.
Design & Installation
The ProFX16v3 uses a rugged, desktop-format mixer chassis with a clearly organized control surface, channel faders, dedicated master controls, and dual 12-segment main meters. Mackie does not specify a chassis-material designation, but the design is intended for regular studio, rehearsal, and live-production use. Main output connections are located on the rear panel, keeping system cabling organized around the mixer.
Connect microphones, line-level sources, and instruments before powering the mixer, then feed powered speakers, amplifiers, or processors from the main outputs. Use the three aux outputs for monitor systems, the control-room outputs for studio monitors, and the headphone output for personal monitoring. The mixer uses a detachable 3-pin IEC power cord and can connect to a Mac or PC through USB; optional rack ears are available separately for rack installation.
| Model | ProFX16v3 / PROFX16V3 |
|---|---|
| UPC | 663961057928 |
| Product Type | Professional analog USB mixer with effects |
| Mixer Channels | 16 |
| Onyx Mic Preamps | 11 |
| Maximum Mic Preamp Gain | 60 dB |
| Channels 1-2 Inputs | XLR/1/4 in combo mic/line inputs |
| Hi-Z Inputs | Channels 1-2, switchable |
| Hybrid Mic/Stereo Line Channels | Channels 9/10 and 13/14 |
| 1/8 in Stereo Input Channel | Channels 15/16 |
| Channel Inserts | 8 |
| Compression Channels | Channels 1-8 |
| Maximum Compressor Ratio | 6:1 |
| Channel EQ | 3-band EQ with on/off hard bypass |
| Low EQ | ±15 dB at 80 Hz |
| Mid EQ | ±15 dB |
| Sweepable Mid Frequency | 100 Hz to 8 kHz on all channels except 1/8 in stereo channel |
| 1/8 in Stereo Channel Mid EQ | ±15 dB at 2.5 kHz |
| High EQ | ±15 dB at 12 kHz |
| Low-Cut Filter | 18 dB/octave at 100 Hz |
| Aux Outputs | 3 |
| Aux Output Connector Type | 1/4 in TRS |
| Subgroup Outputs | 4 |
| Subgroup Bus Configuration | Dual stereo subgroup output bus |
| Subgroup Output Connector Type | 1/4 in |
| Main Outputs | Stereo balanced XLR and 1/4 in TRS |
| Main XLR Maximum Output Level | +28 dBu |
| Other Output Maximum Level | +22 dBu |
| Control Room Outputs | Stereo 1/4 in |
| Headphone Output | 1/4 in TRS stereo |
| FX Send | 1/4 in TRS line-level output |
| FX Footswitch Input | 1/4 in TRS; supports one-button on/off footswitch |
| Digital Effects Engine | GigFX |
| Effects Presets | 24 |
| USB Format | USB 2.0 |
| USB I/O | 2x4; 1 stereo input and 2 stereo outputs |
| USB Conversion | 24-bit A/D/A |
| Supported USB Sample Rates | 44.1, 48, 96, and 192 kHz |
| USB Monitoring | Direct monitoring with USB 1-2 blend control |
| Phantom Power | 48 VDC to all mic channels simultaneously |
| Frequency Response | 20 Hz to 30 kHz, mic input to any output at unity gain |
| THD+N | <0.01%, mic input to main output at +4 dBu |
| Equivalent Input Noise | -128 dBu, mic input to insert send at maximum gain |
| Residual Output Noise | -95 dBu with all master and channel levels off |
| Common-Mode Rejection Ratio | 70 dB, mic input to main output at maximum gain and 1 kHz |
| Maximum Input Level | +22 dBu |
| Mic Input Impedance | 3.3 kOhms |
| Channel Insert Return Impedance | 10 kOhms |
| Other Input Impedance | 20 kOhms or greater |
| Headphone Output Impedance | 25 Ohms |
| Other Output Impedance | 120 Ohms unbalanced; 240 Ohms balanced |
| Main Meters | Dual 12-segment LED meters |
| Power Consumption | 40 watts |
| AC Power Requirement | 100-240 VAC, 50/60 Hz |
| Power Connector | 3-pin IEC line cord |
| Height | 4.3 in / 109 mm |
| Width | 17.7 in / 450 mm |
| Depth | 17.1 in / 434 mm |
| Weight | 15.2 lb / 6.9 kg |
| Included Software | Waveform OEM software bundle |
| Optional Carry Bag | Part number 2051722 |
| Optional Dust Cover | Part number 2051728 |
| Optional Rack Ear Kit | Part number 2051634 |
Can the ProFX16v3 record directly to a computer?
Yes. Its integrated USB 2.0 interface supports a stereo recording feed to a Mac or PC at up to 24-bit/192 kHz. It is a 2x4 USB interface, not a 16-channel multitrack USB recorder.
Can I connect condenser microphones?
Yes, the mixer provides 48V phantom power to all microphone channels simultaneously. Because phantom power is global, check connected microphones and devices before enabling it.
Can I plug a guitar directly into this mixer?
Yes, channels 1 and 2 have switchable Hi-Z 1/4-inch inputs for direct guitar, bass, and similar instrument connections. Other mono line inputs require an external DI box for direct passive-instrument use.
How many monitor mixes can it provide?
The ProFX16v3 has three aux outputs for monitor feeds. Each aux output uses a dedicated per-channel send and master level control.
Is a power cord included?
Yes. The mixer uses a standard detachable 3-pin IEC line cord, which is included with the mixer.
Can the ProFX16v3 be rack mounted?
Yes, Mackie offers a dedicated optional rack ear kit for this model. The compatible kit part number is 2051634.


















