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Mackie PROFX10V3 10-Channel USB Analog Mixer
- Four Onyx mic preamps
- 24-bit/192 kHz USB audio
- 24 onboard GigFX presets
- Hi-Z inputs on channels 1-2
- Dedicated direct-monitor blend control
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Product Info
| Brand | MACKIE |
|---|---|
| Model / SKU | PROFX10V3 |
| UPC | 663961057881 |
| Availability | In stock and ready to quote |
The Mackie ProFX10v3 is a compact 10-channel analog mixer with USB audio connectivity for small live-sound systems, recording setups, podcasts, streaming rigs, and content-production desks. It provides a central place to connect microphones, instruments, stereo sources, computers, headphones, monitors, and powered speakers. Hands-on channel controls make it practical for users who want direct access to gain, EQ, effects, and output levels.
Four Onyx microphone preamps provide up to 60 dB of gain for microphones and other compatible sources. Channels 1 and 2 include switchable Hi-Z operation for direct guitar, bass, or instrument connection without a separate DI box. The mixer also includes low-cut filtering on mic-input channels to help reduce unwanted low-frequency rumble.
Its USB 2.0 interface supports 24-bit audio at 44.1, 48, 96, or 192 kHz for recording and playback with a Mac or PC. The USB configuration provides one stereo input and two stereo outputs, enabling computer playback and recording within the same setup. A dedicated blend control lets users monitor live inputs and USB playback together without monitoring latency.
The onboard GigFX engine includes 24 effect presets, covering reverbs, delays, chorus, echo, flange, auto-wah, and other treatments. One-knob compression is available on channels 1 and 2 for fast dynamic control. Three-band EQ on the mono channels gives users practical tonal adjustment at the mixer.
For system integration, the ProFX10v3 provides balanced XLR and 1/4-inch main outputs, control-room outputs, a headphone output, an FX send, and channel insert connections. It can feed powered PA speakers for a performance, control-room monitors for a recording desk, or headphones for personal monitoring. Its compact format makes it suitable for desktop use, portable production systems, and small-event audio control.
Key Features
- 10-Channel Mixer: Combines four mono mic/line channels with stereo source channels.
- Onyx Mic Preamps: Four microphone preamps deliver up to 60 dB of gain.
- 24-Bit/192 kHz USB: Supports high-resolution computer recording and playback via USB 2.0.
- GigFX Effects Engine: Adds 24 onboard effect presets without external processing hardware.
- Hi-Z Instrument Inputs: Channels 1 and 2 accept guitars and basses directly.
- Direct Monitor Blend: Balances live inputs with USB playback for low-latency monitoring.
Design & Installation
The ProFX10v3 uses a compact, rugged mixer format with physical knobs, switches, channel controls, LED metering, and accessible connection points. Its layout separates input processing, effects, monitoring, and master-output control for straightforward operation during recording or live use. Mackie specifies a compact chassis measuring 10.7 inches wide by 11.9 inches deep by 3.3 inches high.
Place the mixer on a stable surface with room for top-panel and rear-panel connections. Connect microphones and line-level sources to the appropriate input channels, then route the balanced main outputs to powered speakers, amplifiers, or downstream equipment; use the control-room outputs for monitors and the 1/4-inch phones jack for headphones. Connect a computer through USB for recording or playback, and use the 12 VDC, 2 A locking power connection with its wall-mount adapter.
| Brand | Mackie |
|---|---|
| Model | PROFX10V3 |
| Product Type | 10-channel professional analog mixer with USB |
| Total Channels | 10 |
| Mic Preamps | 4 Onyx mic preamps |
| Mic Preamp Gain | Up to 60 dB |
| Mono Input Channels | 4 |
| Stereo Input Channels | 3 stereo channels |
| Channels 1-2 Input Type | XLR / 1/4-inch combo mic/line inputs |
| Channels 1-2 Hi-Z | Switchable Hi-Z |
| Channels 3-4 Inputs | XLR mic inputs and 1/4-inch line inputs |
| Stereo Line Inputs | 1/4-inch TRS balanced or TS unbalanced |
| Stereo Mini Input | 1/8-inch stereo line input on channel 9/10 |
| Channel Inserts | 1/4-inch unbalanced inserts on mono channels |
| Insert Point | Post-gain and low-cut, pre-EQ and level |
| Channel EQ | 3-band EQ on mono channels |
| Low EQ | ±15 dB at 80 Hz |
| Mid EQ | ±15 dB at 2.5 kHz |
| High EQ | ±15 dB at 12 kHz |
| Low-Cut Filter | 100 Hz, 18 dB/octave |
| Compressor | One-knob compression on channels 1 and 2 |
| Digital Effects Engine | GigFX |
| Effects Presets | 24 |
| Effects Footswitch Input | 1/4-inch TRS; supports one-button on/off footswitch |
| Phantom Power | 48 VDC to all mic channels simultaneously |
| USB Format | USB 2.0 |
| USB I/O | 1 stereo input, 2 stereo outputs |
| USB Audio Resolution | 24-bit |
| Supported USB Sample Rates | 44.1 kHz, 48 kHz, 96 kHz, 192 kHz |
| USB Monitoring | USB 1/2 blend to phones and control room |
| USB 3/4 Return | Selectable to the final stereo channel |
| Main Outputs | Balanced XLR and 1/4-inch TRS |
| Main XLR Output Maximum Level | +28 dBu |
| Other Output Maximum Level | +22 dBu |
| Control Room Outputs | Dual 1/4-inch outputs |
| Headphone Output | 1/4-inch TRS stereo |
| FX Send Output | 1/4-inch |
| FX Send Configuration | Post-fader |
| Main Metering | Dual 12-segment LED meters |
| Meter Range | −30 dB to OL |
| Frequency Response | 20 Hz to 30 kHz, +0 dB / −1 dB |
| THD+N | <0.03%, mic input to main output at +4 dBu |
| Equivalent Input Noise | −126 dBu, 150 ohm source, 20 Hz to 20 kHz, maximum gain |
| Mic Input Impedance | 3.3 kilohms |
| Channel Insert Return Impedance | 10 kilohms |
| Other Input Impedance | 20 kilohms or greater |
| Headphone Output Impedance | 25 ohms |
| Other Output Impedance | 120 ohms unbalanced, 240 ohms balanced |
| Mic-to-Insert Maximum Voltage Gain | 60 dB |
| Mic-to-1/4-inch Main Output Maximum Voltage Gain | 80 dB |
| Mic-to-XLR Main Output Maximum Voltage Gain | 86 dB |
| Mic-to-USB Output Maximum Voltage Gain | 70 dB |
| Power Input | 12 VDC at 2 A |
| Power Adapter Type | Class I hard-wired wall-mount adapter with locking barrel connector |
| AC Input Range | 100-240 VAC, 50/60 Hz |
| Height | 3.3 in / 84 mm |
| Width | 10.7 in / 272 mm |
| Depth | 11.9 in / 302 mm |
| Weight | 4.9 lb / 2.2 kg |
| Optional Carry Bag | Mackie P/N 2051720 |
| Optional Dust Cover | Mackie P/N 2051726 |
| Included Software | Waveform OEM software bundle |
Can I connect condenser microphones to the ProFX10v3?
Yes. It has switchable 48 VDC phantom power supplied simultaneously to all microphone channels. Check that connected microphones are compatible with phantom power before engaging it.
Can I plug a guitar or bass directly into it?
Yes. Channels 1 and 2 have switchable Hi-Z 1/4-inch inputs for direct instrument connection. Other channels require an external DI box for direct guitar or bass use.
Does it work as a computer audio interface?
Yes. The USB 2.0 interface supports 24-bit conversion at up to 192 kHz. It provides one stereo USB input and two stereo USB output paths.
Can I monitor myself while recording without delay?
Yes. The USB 1/2 blend control mixes live input signals with USB return audio at the phones and control-room outputs. This is intended for zero-latency monitoring while overdubbing.
What speakers can I connect?
Connect the balanced main XLR or 1/4-inch outputs to powered speakers, power amplifiers, or compatible downstream processors. The mixer outputs line-level audio and does not power passive speakers directly.
Does it include built-in effects?
Yes. Its GigFX effects engine provides 24 presets, including reverb, delay, chorus, echo, flange, and other effects. An optional one-button footswitch can mute or unmute the internal effects.
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